Mykyta Fomenko is not just a dancer — he is a force of artistic expression shaped by a lifetime of discipline, global experience, and a deep love for the craft. As he brings his international expertise to the American stage, he is helping redefine what excellence in dance looks like in the U.S.
Early Passion, Deep Commitment
Mykyta’s journey into the world of dance began at the age of three. By five, he had moved to a new dance club, where his training intensified. What followed were years of daily, five-to-six-hour training sessions that tested not only his physical endurance but also his emotional resilience. “It’s incredibly hard to go through failure,” he says. “But only failure can make us stronger and push us to greater achievements.”
That mindset helped shape a career marked by extraordinary discipline and an unwavering drive. Dance became more than a routine or performance; it became Mykyta’s identity.
A Champion on the Global Stage
Before coming to the U.S., Mykyta had already made a name for himself in international ballroom dancing. In 2018, he earned the title of WDSF Ukrainian Champion. He went on to dominate the European circuit, becoming the winner and finalist of all major competitions in Moldova and Poland from 2019 to 2021.
The year 2022 was particularly significant. One of the last major tournaments before moving to the U.S. was the German Open Championships 2022. In the Adult (A) Standard category, they took 7th place out of 70 couples. Participants came from a wide range of countries, including Italy, Bulgaria, Romania, Latvia, Vietnam, South Korea, Estonia, Uzbekistan, Thailand, Hungary, Slovakia, Hong Kong, Austria, Malaysia, Poland, the Netherlands, and Germany. Mykyta was the winner of the German Championship and a finalist in other major German events. He earned silver in the Italian Championship and triumphed in the Czech Championship the same year. These achievements solidified his status as one of Europe’s elite dancers.
Bringing Global Expertise to the U.S.
Mykyta’s transition to the American dance scene marked a new chapter. Drawn by the country’s diversity and dynamism, he saw an opportunity to bring his refined European training to a new audience. But it wasn’t without challenges.
“The American dance scene is very vibrant but quite different in its energy and expectations,” he explains. Yet his global background gave him an edge — he was not just following trends but introducing new standards.
Fusing Technique with Innovation
One of Mykyta’s most notable contributions is how he integrates precise European techniques with the more expressive and freestyle nature of American styles. His choreography reflects a balance between tradition and innovation, drawing from Latin, Standard Ballroom, and contemporary dance forms.
Audiences and students alike respond enthusiastically. His work doesn’t just entertain — it inspires. By blending the elegance of international ballroom with the creativity of American performance art, Mykyta has created a signature style that is both technically rich and emotionally compelling.
Teaching the Next Generation
As a mentor and teacher, Mykyta believes in more than just steps and sequences. His international experience informs a holistic teaching philosophy rooted in discipline, emotional expression, and cultural awareness.
He leads workshops, private lessons, and group classes, always emphasizing the importance of dancing not for accolades but for oneself. “Dance is what I live for. I give all of myself to it — and even more,” he says. “The only time I truly feel free is when I dance.”
His students describe him as both demanding and deeply inspiring. Whether it’s helping a beginner find their rhythm or guiding a competitive dancer to refine their technique, Mykyta’s mentorship is transformative.
Mykyta’s students, Elizaveta Beloyedova and Yevhen Dolgopolov, became the German Champions in the Juniors 1 category
Credit: Mykyta Fomenko’s Instagram
Mykyta is growing both as a dancer and as a coach. This combination is often viewed skeptically by society, with the saying “Those who can’t do, teach” still lingering. However, this couldn’t be further from the truth. Mykyta himself explains his interest in both paths this way:
“I’m grateful that I can share my experience and help shape the talents of young dancers. And in that process, I’m also learning from them. You can teach technique, you can spark a young dancer’s interest, you can support them — but you can never instill the true mindset of a champion. Today’s kids and teens are different. They have their own views on everything, they make decisions differently — and that shows in their dancing. It’s fascinating to observe and to learn to feel life in a new way. After all, dance is life.”
Top Smooth Teacher 3d place and Top Overall Teacher 2d place at Freddy Ball 2025
Credit: Mykyta Fomenko’s Instagram
Building Cultural Bridges Through Dance
Beyond technique and competition, Mykyta uses dance as a form of cultural exchange. He collaborates with dancers from around the world and seeks to highlight the universality of dance.
Through performances that weave together global influences, he creates shared experiences that transcend borders. His art fosters connection, empathy, and mutual respect — values increasingly vital in today’s world.
Shaping the Future of Dance in the U.S.
In a short time, Mykyta has made a meaningful impact on the U.S. dance community. He has become a respected figure in ballroom and performance circles.
He continues to push boundaries, championing a vision where dance is not only a competitive sport but also a deeply personal art form. He advocates for more cultural diversity, better support for young dancers, and a reimagined approach to training that incorporates global perspectives.
At Cross Country National Championship 2025. Closed American Professional Bronze/Silver Smooth — Vice Champion at CCDC from 28 couples. Closed International Professional Bronze/Silver Ballroom — Vice Champion at CCDC from 5 couples
Credit: Mykyta Fomenko’s Instagram
Why America Is the Future of Dance
According to Mykyta Fomenko, the United States holds an extraordinary future for the world of dance — not just as a stage, but as a living, evolving ecosystem of global influences. “America is where cultures meet,” he says. “You can feel it in every rehearsal room, on every competition floor. Dancers here come from all over the world, each bringing their own traditions, styles, and energy. It’s impossible not to grow when you’re constantly surrounded by that diversity.”
What impresses Mykyta most is the open-minded spirit that defines the American dance scene. “In so many countries,” he explains, “there’s an unspoken deadline. You’re expected to stop dancing at a certain age and move on, often to coaching, whether you’re ready or not. But in the U.S., there’s a different mentality. If you want to dance professionally at 30, 40 — no one stops you. Talent, passion, and persistence matter more than age.”
He also points to the increasing number of dance tournaments and showcases available in the U.S., offering dancers of all backgrounds and experience levels the opportunity to compete, perform, and grow. “It’s a country full of platforms,” he notes. “You can find your place if you’re willing to work hard.”
For Mykyta, the American dance landscape is filled with potential — not just for him personally, but for the entire art form. “There’s space here for reinvention, for collaboration, and for lifelong dedication. Dance in America isn’t just a phase or a stepping stone — it can be your life’s work, on your own terms.”
In his eyes, the freedom to pursue dance without artificial limits is what makes the American scene truly unique — and deeply inspiring.
How international dancers can unite to help grow the dance industry in the U.S
For Mykyta Fomenko, who has personally navigated the journey of integrating into the American dance world, the question of how to better help dancers to grow the dance industry is deeply personal. “When dancers arrive in a new country, they don’t just bring their skills — they bring their artistic point of view,” he says. “That’s incredibly valuable for the U.S. dance scene. But we have to create a system that welcomes and empowers them.”
Mykyta believes one of the biggest barriers is access — not just to resources, but to community. “It’s hard when you don’t know where to start — which studios are hiring, which competitions to enter, how to build a network,” he explains. “We need more mentorship programs that connect experienced local dancers and coaches with newcomers. Just having someone to guide you in your first months can change everything.”
He also advocates for more visibility for international talent. “Studios and competitions can create more inclusive platforms — maybe showcase events dedicated to new choreographers or dancers,” he suggests. “When we spotlight diverse voices, we don’t just support individuals — we elevate the entire dance community.”
Another key point for Mykyta is communication and cultural exchange. “We should encourage more collaboration between dancers of different backgrounds, not just in performance but in conversation. It builds mutual respect, and it breaks down invisible walls.”
At the heart of it all is a belief that international dancers don’t just adapt — they contribute. “We’re not here to just fit in,” Mykyta says. “We’re here to help dance evolve, to give back to the country that gives us a chance to grow. And with the right support, we can help grow the dance industry in the U.S. even more.”
What Lies Ahead
Looking to the future, Mykyta is focused on expanding his influence as both a performer and mentor. He is working on new choreography that explores the relationship between movement and emotional identity. He also plans to launch a mentorship program for young dancers, rooted in the values of discipline, self-expression, and cultural openness.
Conclusion
Mykyta Fomenko is more than a decorated dancer — he is a visionary. By bringing his global experience to the American stage, he enriches the local dance culture in powerful, lasting ways. Through every movement, lesson, and performance, he reminds us that excellence is not bound by geography — and that true impact begins when we dance not for approval, but for ourselves.
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